The survival-horror framework lacks explicit evidence of non-cisnormative identities or same-sex intimacy. The narrative focuses on a predatory antagonist and a community of squatters instead.

A deranged female antagonist drives the conflict, often leaning into the 'monstrous feminine' trope. It remains unclear if the film critiques gendered expectations or uses them for genre tension.

The setting features a community of squatters, suggesting a focus on marginalized social classes. However, specific racial makeup or intersectional identities are not confirmed in the narrative.

The film explores social displacement by centering on individuals living on the fringes of capitalism. The antagonist's search for a lost child adds a layer of subjective morality.

Characterizations like 'bizarre' and 'deranged' suggest a potential reliance on mental health as a horror shorthand. There is little evidence of characters with disabilities possessing true narrative agency.