The film lacks any discernible LGBTQ+ characters or explorations of non-heteronormative identities. It operates within a conventional heteronormative framework typical of early 90s action-horror.

Female characters are largely relegated to secondary roles, frequently serving as victims or plot catalysts. The narrative reinforces a masculine-centric power dynamic where agency is concentrated in male characters.

Casting is predominantly homogeneous, reflecting standard urban action-slasher demographics. There is a notable absence of diverse casting in central roles, reinforcing a traditional social landscape.

The film depicts police corruption through a violent slasher lens rather than systemic critique. It functions within standard horror moral binaries rather than engaging with complex postmodern themes.

The protagonist's undead state is treated as a supernatural horror element rather than a nuanced exploration of disability. He functions as an unstoppable force trope without meaningful agency.