
The Being
1983

Representation Score
Fair
1972
PGDirector
Peter Sasdy
Runtime
92 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Doomwatch is a pioneering environmental thriller that excels in critiquing systemic issues rather than demographic diversity. It exposes the perceived infallibility of corporate institutions, framing the fight for scientific truth as a rebellion against corruption. However, the film falls short in representing diverse identities. Its narrative is culturally uniform, lacking LGBTQ+, racial, or significant gender diversity in leadership and investigative roles. Ultimately, the film’s progressive stance lies in its social commentary on industrial negligence, while still adhering to the traditional social hierarchies of its time.
Category Breakdown
The film does not include any LGBTQ+ characters or queer identities. It follows the traditional heterosexual social structures typical of 1970s British procedural cinema.
The scientific environment is dominated by men, reflecting traditional professional hierarchies. Women play minor roles but do not drive the main investigation.
The cast and setting are predominantly Anglo-Saxon, with no significant ethnic diversity among the investigative team or the local community.
The film effectively critiques corporate power and unregulated capitalism. It portrays industrial entities as systemic antagonists prioritizing profit over ecological stability.
Physical deformities highlight chemical contamination as evidence rather than character development. These alterations serve as plot devices to illustrate ecological disaster.
Present on Screen
Limited or Absent
Official Synopsis
The waters surrounding an island become contaminated by chemical dumping, and people who eat fish caught in those waters become deformed and violent.

1983

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