The film lacks explicit evidence of non-cisnormative identities or same-sex intimacy. The central conflict between two female figures appears to follow traditional binary archetypes common in 1980s fantasy.

Female protagonists hold significant supernatural power and agency. However, the narrative relies on reductive archetypes like the 'Virgin' and 'Concubine' rather than subverting established gender hierarchies.

The cast and setting are ethnically homogeneous, reflecting the Hong Kong production context. There is no evidence of whitewashing, though the film does not pursue multicultural blending.

The story leans heavily on established mythological and spiritual moralities. The conflict follows traditional mythological heroism rather than exploring moral relativism or secular themes.

There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities within the narrative.