
The Barn
2016

2004
RDirector
Rolfe Kanefsky
Runtime
87 minutes
Average Rating
No ratings yetSynopsis
The Evil Dead meets Scream as an evil professor, through an ancient staff and a book of incantation, possesses the bodies of a group of fraterity and sorority pledges during a night of "hazing" activities in an abandoned mansion. When the students meet one grisly death after another, the survivors finally realize it's the professor who is possessing their friends and killing them all off. Now none of them trust each other-- is it their friends or puppets of the professor that they're hanging with? Somone better figure it out quick... or none of them will make it through the hellish night of The Hazing!
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film follows a traditional horror framework centered on a supernatural threat. There is no explicit evidence of non-cisnormative identities or critiques of heteronormativity within the narrative.
Gender Representation
The story utilizes a standard fraternity and sorority dynamic. While female characters may find agency through survival, the film lacks a deconstruction of established gender hierarchies.
Racial & Ethnic Diversity
The setting suggests a demographic homogeneity common in mid-budget horror of this era. There is no indication of diverse casting or the use of metaphors to address racial dynamics.
Religious & Cultural Diversity
The plot relies on established supernatural tropes like ancient incantations. It focuses on individual survivalism rather than a critique of Western institutions or social structures.
Disability Representation
There is no information regarding the inclusion of characters with physical, sensory, or neurodivergent disabilities in this production.
Strengths
Areas for Improvement
AI Analysis
The Hazing is a conventional genre piece that prioritizes slasher mechanics and suspense over social commentary. The narrative architecture relies heavily on established horror tropes, such as an evil professor and supernatural possession, rather than subverting social hierarchies. Because the film adheres to traditional collegiate structures and Western genre conventions, it lacks significant intersectional representation. The focus remains on the visceral experience of a group of students facing a hellish night of survival. Ultimately, the film functions as a standard horror entry that does not engage with the deconstruction of identity or systemic power dynamics.

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