
Women Are Like That
1960

Representation Score
Limited
1953
Director
Bernard Borderie
Runtime
97 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Poison Ivy is a genre-driven crime thriller that largely adheres to the cinematic conventions of its era. Its primary strength lies in its subversion of gender roles, moving away from female passivity toward a more dominant, manipulative female lead. However, the film lacks depth in exploring broader social or institutional issues. The representation of race and identity is minimal, reflecting the period's standard approach to crime narratives.
Category Breakdown
The film lacks LGBTQ+ characters or explorations of non-straight identities. It follows the standard heterosexual norms typical of 1953 French cinema.
The narrative challenges traditional gender roles by centering on a femme fatale archetype. The female lead drives the plot through manipulation and intellectual dominance over male characters.
The cast appears relatively homogeneous, typical of mid-century French crime dramas. Set in Casablanca, there is no significant racial blending or diverse casting.
The film operates within crime thriller clichés, focusing on law enforcement versus organized crime. It avoids singular religious morality but lacks a systemic critique of Western institutions.
There is no visible evidence regarding the portrayal of physical or neurodivergent disabilities within the film.
Present on Screen
Limited or Absent
Official Synopsis
FBI Agent Lemmy Caution is sent after a missing two million in Casablanca while mob boss mistress Carlotta plays both sides of the law.

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