
Room 666
1985

Representation Score
Fair
2012
Director
Jonas Selberg Augustsén
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Room 1112 serves as a meta-cinematic exploration rather than a character-driven narrative. It brings together industry professionals to discuss the transition from celluloid to digital, focusing on philosophical debates rather than demographic diversity. The film’s strength lies in its deconstruction of traditional media formats and its examination of how technological changes affect cinema. However, it lacks specific representation of underrepresented groups and focuses on a localized study of the Swedish film industry.
Category Breakdown
The documentary does not explicitly depict queer relationships or explore non-cisgender identities. While it touches on modern identity discussions, there are no specific characters who take an active role in driving the story.
The film highlights professional voices within the Swedish film industry. Its documentary format emphasizes intellectual discussion rather than typical gender roles found in scripted films.
The film focuses on the Swedish film industry in Göteborg. The demographic likely reflects the local professional community of 2011.
The narrative showcases intellectual secularism and skepticism towards traditional beliefs. By questioning the future of cinema, it challenges established institutions and singular moral viewpoints.
There is no information available regarding the inclusion of individuals with disabilities within this documentary.
Present on Screen
Limited or Absent
Official Synopsis
In room 1112 at hotel Riverton during Göteborg's 2011 film festival, director Jonas Selberg Augustsén brings together some of Sweden's most famous film workers and asks a question: "Are the celluloid film about to die, and what do you think it means for the moving image?" The film is inspired by Wim Wender's 1982 documentary, Chambre 666.

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