The film focuses on a heteronormative romantic tragedy. It lacks same-sex intimacy or non-cisnormative identities, adhering strictly to traditional period tropes.

A female protagonist is given significant emotional depth and agency. However, her character arc remains largely defined by her romantic entanglements and tragic desires.

The cast is predominantly white, reflecting the homogeneous European literary elite of 1930s France. The film does not utilize diverse casting to disrupt this historical context.

The story critiques the rigidity of religious and educational institutions. It portrays these authorities as punitive forces that suppress individual autonomy and passion.

There are no prominent depictions of visible or invisible disabilities that serve as central drivers in the narrative.