
Just an Illusion
2026

2019
Director
Ivan Calbérac
Runtime
95 minutes
Average Rating
No ratings yetSynopsis
Emile is fifteen. He lives in Montargis, between a sweet-crazy father and a mother who has always dyed his hair blond, because, it seems, he is more beautiful like that. When the girl who pleases him more than anything invites him to Venice for the holidays, he is overjoyed. Only problem, his parents decide to accompany him - This is the story of a teenager born into an unclassifiable family, the story of a first love, miraculous and fragile. This is the story of an initiatory and incredible journey where life often takes unawares, but where Venice, it will be at the rendezvous.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film explores an unclassifiable family structure and a fragile first love. While sexual orientation isn't explicitly defined, the narrative leans toward a fluid exploration of adolescent identity.
Gender Representation
The portrayal of the mother subverts traditional nurturing roles. Her focus on aestheticizing her son through hair dyeing presents a complex, disruptive domestic dynamic rather than standard maternal stability.
Racial & Ethnic Diversity
The setting and character descriptions suggest a predominantly Western European context. There is no explicit evidence of a non-white majority cast or diverse ethnic representation.
Religious & Cultural Diversity
The story prioritizes individualistic, secular emotional journeys over institutional guidance. It deconstructs the traditional Western family unit by focusing on subjective experience and moral relativism.
Disability Representation
There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities within the narrative.
Strengths
Areas for Improvement
AI Analysis
Venice Calling offers a nuanced look at the modern family by deconstructing the traditional nuclear unit. It succeeds in presenting a non-traditional domestic dynamic that prioritizes individual identity and emotional truth over rigid social structures. However, the film's scope remains somewhat narrow. The narrative appears centered on a Western European context, lacking explicit evidence of racial or ethnic diversity to broaden its impact. Ultimately, the film is a character-driven exploration of adolescent identity. It trades institutional norms for a more fluid, subjective journey through the complexities of first love and family life.

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1995

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