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The Last Matinee

Name: The Last Matinee
Director: Maximiliano Contenti
Released: 2020
Duration: 88 min

Representation Score

5.0/10

Fair

2020

Director

Maximiliano Contenti

Runtime

88 minutes

Average Rating

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New Showbiz Analysis

The film successfully challenges traditional gender roles by placing a technically skilled female protagonist in a traditionally male-dominated role. Ana's control and competence provide a strong counter-narrative to standard horror clichés. However, the film remains within conventional social frameworks. The romantic elements follow traditional assumptions about relationships, and the racial representation, while regionally authentic, does not actively deconstruct racial norms. Ultimately, the work offers a meaningful alternative to Hollywood-centric casting by rooting its identity in a Latin American perspective, even if it lacks explicit consideration of multiple aspects of identity.

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Category Breakdown

Does The Last Matinee have LGBTQ+ representation?

Limited

The film includes typical romantic scenarios like dates and waiting for a partner. It does not depict non-straight or non-cisgender identities and does not challenge the idea that everyone is straight or cisgender.

How does The Last Matinee portray gender?

Good

Ana, an engineering student, leads the story and challenges traditional gender roles. She takes control by taking over her father's technical responsibilities, showing intelligence and action instead of passivity.

How racially and ethnically diverse is The Last Matinee?

Fair

Set in Montevideo, the film showcases a South American demographic rather than a North American one. It provides a non-Anglo-Saxon perspective through its regional setting and cast.

How does The Last Matinee represent religion and culture?

Fair

The film sets a declining movie theater as a backdrop for a narrative of systemic decline. It explores social instability through its atmosphere but does not explicitly address ideological issues.

Does The Last Matinee include disability representation?

Minimal

There are no visible or invisible disabilities shown with significant roles or as central plot devices within the narrative.

Present on Screen

The female protagonist demonstrates significant control and technical competence.
The setting provides an authentic South American demographic perspective.
The narrative subverts the 'damsel in distress' cliché through Ana's character development.

Limited or Absent

The film relies on conventional romantic clichés without exploring non-straight or non-cisgender identities.
There is a lack of representation regarding disabilities or neurodivergence.
The plot does not actively deconstruct racial or systemic norms beyond its regional setting.

Official Synopsis

In 1993, spectators at the last screening of a horror film at a downtown cinema fall one by one into the hands of a sadistic and ruthless killer.

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