The film lacks explicit evidence of LGBTQ+ characters or non-heteronormative identities. The narrative focuses on a traditional baby shower, which typically centers on heteronormative milestones.

The story disrupts gender hierarchies by centering on a female ensemble. These women act as high-stakes participants in a violent struggle rather than passive victims.

As a Chilean production, the film offers a non-Anglo-Saxon context. However, there is no specific evidence of a multi-ethnic or intersectional cast.

The film uses a traditional baby shower to deconstruct social institutions. It introduces cults and poison to challenge the sanctity of the nuclear family.

There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities in the narrative.