The film lacks LGBTQ+ characters or narratives. It adheres to the strict social and cinematic codes of 1954, which largely omitted non-heteronormative identities.

The story centers on male paratroopers, reinforcing traditional masculine military archetypes. There is no indication of female agency or the subversion of gender roles.

While set in the Libyan desert, the focus remains on Italian paratroopers. The narrative likely views the North African setting through a Eurocentric lens.

The film prioritizes themes of patriotism and institutional loyalty. It aligns with traditional mid-century nationalistic storytelling rather than offering secular or anti-Western critiques.

There is no evidence of characters with physical or neurodivergent disabilities being utilized as central plot points or being afforded specific agency.