
A Balance
2021

Representation Score
Good
2019
Director
Yusaku Matsumoto
Runtime
115 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Noise is a sophisticated social commentary that prioritizes thematic depth over demographic breadth. It disrupts traditional moral hierarchies by refusing to offer a clear good versus evil dichotomy. The film's strength lies in its empathetic, non-judgmental examination of the underrepresented and the broken. It moves away from Western redemption clichés toward a postmodern exploration of human chaos. While the film lacks high scores in visible demographic diversity, its narrative structure is progressive in its deconstruction of social order and systemic failure.
Category Breakdown
The film focuses on psychological issues and personal isolation. There is no prominent or centralized depiction of LGBTQ+ identities or domestic structures that assume everyone is straight.
The narrative avoids traditional protector/protected binaries. Women are depicted with significant psychological depth and play a leading role in driving the story, subverting standard cinematic clichés of female victimhood.
Set in contemporary Japan, the film maintains a largely homogeneous cast. This reflects the specific social reality of the setting and the Akihabara incident.
The film critiques social structures by presenting perpetrators as products of systemic neglect. It portrays traditional institutions like family and community as insufficient or complicit.
Mental health and psychological instability are central to the plot. However, these are treated as character pathologies rather than identities with real power.
Present on Screen
Limited or Absent
Official Synopsis
In 2008, an indiscriminate killing which shocked the whole world was carried out in the street of Akihabara. Director Yûsaku Matsumoto was inspired by the Akihabira killing to look at random acts of violence occurring in Japanese society and exploring the aftermath of one such occurrence, and the building-up to another one. By following several people—perpetrators, victims and family of both alike, he tells a human story about inhumane acts.

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