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We Want Now

Name: We Want Now
Director: Park Bum-soo
Released: 2016
Duration: 58 min

Representation Score

2.2/10

Limited

2016

Director

Park Bum-soo

Runtime

58 minutes

Average Rating

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New Showbiz Analysis

Park Bum-soo’s film is a minimalist character study that emphasizes a localized realist perspective. It adheres to traditional narrative structures, focusing on interpersonal conflicts rather than challenging societal norms. The film does not intentionally address multiple aspects of identity or disrupt social hierarchies. While it provides a specific cultural lens, it remains firmly within conventional social and gender dynamics. Overall, the work presents a closed ecosystem of human suffering, offering limited engagement with broader social or identity-based diversity.

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Category Breakdown

Does We Want Now have LGBTQ+ representation?

Minimal

The film does not include LGBTQ+ characters or explore non-straight relationships. The main conflicts center around traditional romantic dynamics without any queer themes.

How does We Want Now portray gender?

Fair

Female characters demonstrate strong emotional responses to loss, but they are mostly defined by their relationships to men. The male lead perpetuates harmful masculine stereotypes through physical strength and aggression.

How racially and ethnically diverse is We Want Now?

Fair

The cast is predominantly of one ethnicity, reflecting a specific South Korean setting. It serves as a focused cultural study without blending diverse backgrounds.

How does We Want Now represent religion and culture?

Limited

The storyline centers on isolation and human suffering within a closed environment. It avoids criticizing religion or capitalism, choosing a minimalistic approach to tragedy.

Does We Want Now include disability representation?

Minimal

There is no depiction of physical or cognitive disabilities. Psychological issues are used mainly to drive the plot towards tragedy, rather than exploring mental health in depth.

Present on Screen

Offers a localized, realistic portrayal of a specific South Korean cultural context.
Highlights female characters' emotional depth during times of loss.

Limited or Absent

Does not include LGBTQ+ characters or explore non-straight relationships.
Perpetuates harmful masculine stereotypes through themes of physical dominance.
Uses psychological distress as a plot device rather than exploring mental health.
Does not introduce perspectives that reflect multiple aspects of identity or disrupt social hierarchies.

Official Synopsis

A man who protects the island and his woman, Soo-hee, live on a remote island that is nothing more than an uninhabited island. And Bok-soon, who lost her mind after being abandoned by the man she loved. This is an island where only three people live, even if they die. Then one day, a photographer who seems to be holding something secret comes to the island. However, the man who guards the island misunderstands the visitor and kills him because of it. Bok-soon, who loved the dead photographer, commits suicide upon seeing the photographer's death. A man who has gone mad after killing someone hears a story from Soo-hee, who lives with him, and only later finds out all the secrets...

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