New Showbiz

You are here:
Carrément à l'ouest

Carrément à l'ouest

2001

Director

Jacques Doillon

Runtime

97 minutes

Average Rating

No ratings yet

Synopsis

In Paris, where he wields his money scams, Alex has an unexpected encounter with two girls: Fred, who’s nothing to do with his world and who he falls for straight away, and Sylvia – sweet, but lonely, Sylvia. To test Alex, Fred devises a curious game of seduction. Like a character out of a Marivaux play, she toys with setting up delightful obstacles necessary to Love’s flourishing: Sylvia must seduce Alex, and Alex, must in turn, truly desire Sylvia. But Fred gets caught in her own trap. She falls head over heels in love with Alex. However, he no longer knows who to choose, all the more so now that Sylvia is falling in love with him, too. During an eventful night of confusion and intrigue, crazy laughter and tears, our threesome come to realize that what really draws them together is an emotional bond: true love.

Where to Watch

Diversity & Representation

Overall Score

4.4/10

Fair


Category Breakdown

LGBTQ+ Representation

Fair

The film explores a romantic triad that deconstructs traditional pursuit through fluid emotional bonds. However, it lacks explicit evidence of non-cisnormative identities or queer-coded subtext.

Gender Representation

Good

Female protagonists Fred and Sylvia act as the primary architects of the plot. They subvert the damsel trope by demonstrating intellectual agency and strategic superiority over the male lead.

Racial & Ethnic Diversity

Limited

The narrative focuses on a localized, predominantly Eurocentric social circle in Paris. There is no documented evidence of a non-white majority cast or intentional racial blending.

Religious & Cultural Diversity

Fair

The story prioritizes individualistic desire and moral relativism over social or religious institutions. It uses emotional confusion as a catalyst for connection rather than traditional romantic ideals.

Disability Representation

Minimal

There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities within the narrative.

Strengths

  • Subverts gender hierarchies by making female characters the primary drivers of the plot.
  • Challenges traditional romantic archetypes through complex psychological depth.
  • Prioritizes emotional fluidity and agency over rigid social structures.

Areas for Improvement

  • Lacks intersectional racial diversity within its Eurocentric Parisian setting.
  • Provides no explicit representation of LGBTQ+ identities or queer-coded subtext.
  • Offers no discernible portrayal of physical or neurodivergent disabilities.

AI Analysis

Jacques Doillon’s film functions as a psychological character study that prioritizes interpersonal dynamics over genre tropes. It succeeds in disrupting traditional gendered power dynamics by placing women in positions of strategic control. However, the film remains limited by its narrow social scope. The focus on a Eurocentric Parisian setting and a lack of explicit queer identities prevents a more progressive rating. Ultimately, the work excels at exploring emotional fluidity but lacks the intersectional breadth required for a high diversity score.

How are these scores produced? →

Similar Movies

Movie poster for How Much Do You Love Me?

How Much Do You Love Me?

2005

No user ratings available yet
Diversity score: 4.9 out of 10
Movie poster for Reigen

Reigen

1973

No user ratings available yet
No diversity score available

Trolling

2013

No user ratings available yet
Diversity score: 5.4 out of 10

Rate this Movie

No rating selected
Use arrow keys to select a rating from 1 to 5 stars
Optional text review, maximum 2000 characters
Tip: Wrap spoilers with ||double pipes|| to hide them
0/2000 characters
You must be signed in to submit a rating

Reviews

No reviews yet. Be the first to share your thoughts on this movie!

Use the rating form above to leave a star rating and optional review.