
Chott el-Djerid (A Portrait in Light and Heat)
1979

Representation Score
Limited
2010
Director
Ben Russell
Runtime
10 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Trypps #7 (Badlands) is an experimental essay piece that prioritizes formal abstraction over character-driven storytelling. Because it lacks a traditional plot, it misses opportunities for representing gender, disability, and LGBTQ+ identities. However, the film finds its strength in its intellectual approach to cultural representation. By using archival footage, it functions as an anti-colonialist critique of the Western gaze. It questions how media consumes and interprets global landscapes. Ultimately, the work's diversity is found in its thematic subversion rather than its cast. It succeeds as a critique of historical power dynamics but remains absent of specific human-centric representation.
Category Breakdown
The film lacks a narrative structure or scripted characters. Consequently, it does not present LGBTQ+ identities or relationships that go beyond the assumption that everyone is straight.
This non-narrative work focuses on the experience and landscape rather than character development. It does not engage with traditional gender roles or hierarchies.
The film uses found footage to critique how Western media has historically portrayed diverse landscapes. It lacks specific, high-profile depictions of people of color.
The work challenges Western institutions by deconstructing how cinema captures the world. It uses postmodern techniques to critique the colonial gaze and historical power dynamics.
The film does not feature characters or narrative elements addressing physical, neurodivergent, or mental health conditions.
Present on Screen
Limited or Absent
Official Synopsis
"TRYPPS #7 (BADLANDS) charts, through an intimate long-take, a young woman's LSD trip in the Badlands National Park before descending into a psychedelic, formal abstraction of the expansive desert landscape. Concerned with notions of the romantic sublime, phenomenological experience, and secular spiritualism, the work continues Russell's unique investigation into the possibilities of cinema as a site for transcendence." - Michael Green, Museum of Contemporary Art Chicago

1979

2014

2015

2010
2011
2005

2009
2007
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.