
A Monster Calls
2016

2010
Not RatedDirector
Gaspar Noé
Runtime
161 minutes
Average Rating
No ratings yetSynopsis
This psychedelic tour of life after death is seen entirely from the point of view of Oscar, a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda. When Oscar is killed by police during a bust gone bad, his spirit journeys from the past -- where he sees his parents before their deaths -- to the present -- where he witnesses his own autopsy -- and then to the future, where he looks out for his sister from beyond the grave.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on heteronormative sexual encounters and the protagonist's relationships with women. It does not explicitly center queer narratives or non-cisnormative identities.
Gender Representation
Female characters like Linda possess significant autonomy and agency within a precarious urban environment. The film avoids traditional male-led hierarchies, focusing instead on female survivalist instincts.
Racial & Ethnic Diversity
Set in Tokyo, the film utilizes a predominantly Japanese cast and environment. This disrupts Western-centric gazes by placing a metaphysical inquiry within a non-Anglo-Saxon landscape.
Religious & Cultural Diversity
The narrative rejects organized religious dogma in favor of a secular, psychedelic spirituality. It critiques Western authority by portraying police as a violent, disruptive force.
Disability Representation
Drug addiction and altered states of consciousness are used as stylistic narrative devices. These do not serve as nuanced portrayals of lived neurodivergence or physical disability.
Strengths
Areas for Improvement
AI Analysis
Enter the Void succeeds in deconstructing Western-centric narrative norms by immersing the viewer in a Japanese urban landscape. The film's strength lies in its cultural relativism and its refusal to adhere to traditional moral or religious structures. However, the film remains limited by its narrow focus on heteronormative relationships and its use of addiction as a mere aesthetic tool rather than a nuanced study of disability. While the setting is diverse, the character identities remain largely conventional.

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