The film follows a traditional quest centered on a male protagonist's struggle with a curse. It lacks non-cisnormative identities or narratives that critique heteronormativity.

Women appear primarily as archetypes, serving as catalysts for the hero or figures needing rescue. There is little evidence of female agency that disrupts masculine leadership.

The story moves from Europe to Japan, utilizing a traveler trope. Representation leans toward an exoticized view rather than a nuanced exploration of Japanese identity.

The narrative operates within a mythic framework of destiny and supernatural law. It does not prioritize secularism or offer critiques of Western institutions.

Lycanthropy serves as a monster trope rather than a nuanced look at disability. The condition drives horror elements instead of exploring lived experiences of affliction.