
New Adventures of Puss in Boots
1958

Representation Score
Fair
1951
Director
Rodolfo Nanni
Runtime
65 minutes
Average Rating
No ratings yetNew Showbiz Analysis
O Saci (1953) stands out for its commitment to Afro-Brazilian mythology during an era dominated by Western casting standards. By centering the Saci-Pererê, a mulatto trickster figure, the film provides substantial ability to act to a character rooted in non-Anglo-Saxon traditions. The film effectively uses local folklore to challenge standard Christian moral frameworks, opting for a more spirited and subjective narrative. This cultural grounding offers a meaningful disruption of mid-century cinematic conventions. While the film excels in racial and cultural representation, it remains limited in gender and LGBTQ+ depth. The focus on childhood adventure and folklore does not explicitly address non-straight-centered identities or gender hierarchies.
Category Breakdown
The film does not include any LGBTQ+ characters or narratives. It focuses on childhood adventures and traditional folklore.
The story revolves around two children whose genders are not specified. A talking doll introduces a minor deviation from typical domestic themes.
The film features a mulatto, boy-like supernatural figure as its main entity. This inclusion of Afro-Brazilian identity challenges Eurocentric norms prevalent in 1950s cinema.
By focusing on the Saci-Pererê, the film emphasizes Brazilian folklore rather than Western moral frameworks. The trickster archetype embraces a chaotic, non-Western perspective.
The Saci is a one-legged figure, representing a physical disability as part of his core identity. He maintains a significant role in driving the story and avoids being portrayed as a victim.
Present on Screen
Limited or Absent
Official Synopsis
Two kids and a living, talkative doll attempt to catch a mulatto boy-like, supernatural one legged figure known as the Saci-Pererê, that enjoys playing pranks on the farms.

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