
The Extraordinary Tale of the Times Table
2014

2016
Director
Julia C. Kaiser
Runtime
100 minutes
Average Rating
No ratings yetSynopsis
Hans and Anna – together they make the Hannas: A hefty couple who love to cook. They meet sisters Kim and Nicola, both anorexic and excitingly different. Opposites attract, however, and anything goes, so the Hannas each wind up having an affair without the other’s knowledge. But Kim and Nicola have a secret of their own in store.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film explores the disruption of monogamous domesticity through themes of infidelity. While the narrative hints at non-traditional relationship dynamics, it lacks explicit confirmation of queer identities.
Gender Representation
Women serve as the primary architects of the plot's chaos. The inclusion of two sisters as central drivers suggests a focus on female agency and complex interpersonal dynamics.
Racial & Ethnic Diversity
The provided information contains no data regarding the racial or ethnic composition of the cast. Consequently, no assessment of racial diversity can be made.
Religious & Cultural Diversity
The story deconstructs the ideal family unit by centering on infidelity and contrasting body types. It favors moral relativism over traditionalist views of marriage and social conduct.
Disability Representation
Characters dealing with anorexia are central to the narrative. This inclusion addresses complex psychological realities, though the depth of this representation remains unverified.
Strengths
Areas for Improvement
AI Analysis
The Hannas presents a narrative that subverts traditional domestic norms by focusing on infidelity and contrasting lifestyles. It moves away from idealized family structures to explore more chaotic, subjective human experiences. While the film provides meaningful representation of body diversity and mental health struggles, it lacks the specific data needed to evaluate racial or LGBTQ+ intersectionality. The focus remains largely on interpersonal psychological dynamics. Ultimately, the film succeeds in challenging conventional social conduct, though its broader inclusive reach is limited by the absence of explicit identity markers in the available material.

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