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Perched on a Tree

Name: Perched on a Tree
Director: Serge Korber
Released: 1971
Duration: 90 min

Representation Score

3.1/10

Limited

1971

Director

Serge Korber

Runtime

90 minutes

Average Rating

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New Showbiz Analysis

Perched on a Tree is a period comedy that adheres closely to the cinematic clichés of the 1970s. While it introduces a sense of European plurality through its French and Italian leads, the film lacks the depth needed to challenge social hierarchies. The narrative focuses on situational humor and professional disruption rather than storytelling that reflects multiple aspects of identity. Character dynamics favor traditional masculine roles, with female characters primarily serving to trigger the central conflict. Ultimately, the film functions as a standard genre piece, providing a snapshot of Western European comedic structures without attempting to subvert or expand upon the social norms of the early 1970s.

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Category Breakdown

Does Perched on a Tree have LGBTQ+ representation?

Limited

The film follows a typical 1970s comedic structure and does not include any characters with non-binary gender identities or critique straight-centered assumptions.

How does Perched on a Tree portray gender?

Fair

The plot revolves around male protagonists and their interactions with hitchhikers. Female characters mainly act as plot catalysts rather than driving the story themselves.

How racially and ethnically diverse is Perched on a Tree?

Fair

The story includes French and Italian characters, reflecting an international dynamic within a predominantly white, Western European context.

How does Perched on a Tree represent religion and culture?

Limited

The narrative relies on traditional Western comedic clichés related to travel and professional stability. It does not challenge Western social norms.

Does Perched on a Tree include disability representation?

Minimal

There are no characters with visible or invisible disabilities in this film.

Present on Screen

The inclusion of French and Italian protagonists adds a degree of European ethnic diversity.

Limited or Absent

Female characters lack a significant role in driving the story and primarily serve as plot catalysts.
There is no representation of LGBTQ+ individuals or non-assuming gender matches what was assigned at birth identities.
The narrative does not challenge traditional social hierarchies or provide multi-layered depth.

Official Synopsis

Henry Roubier, a French promoter, and Enrico Mazzini, an Italian, have signed an agreement guaranteeing them a stranglehold on European highways. While driving on the roads of the south, Roubier takes two young hitchhikers, but an unfortunate swerve the car rushes by Henri and its occupants on the top of a pine tree onto the side of a cliff.

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