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Another Day of Life

Another Day of Life

Representation Score

6.3/10

Good

2018

Director

Raúl de la Fuente, Damian Nenow

Runtime

86 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Another Day of Life succeeds by shifting the focus from a Eurocentric perspective to the raw reality of the Angolan conflict. The use of stylized animation allows for a symbolic, humanistic exploration of a non-Western struggle, moving beyond mere caricature. However, the film remains centered on a traditional biographical structure. The narrative ability to act is heavily concentrated on the male protagonist, which limits the breadth of gendered perspectives and interpersonal dynamics.

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Category Breakdown

Does Another Day of Life have LGBTQ+ representation?

Fair

The film explores human vulnerability and social breakdown, creating space for non-traditional dynamics. However, there are no explicit LGBTQ+ character arcs present in the narrative.

How does Another Day of Life portray gender?

Fair

The story centers on a male journalist navigating the male-dominated field of war reporting. While the conflict impacts all genders, the narrative focuses on the protagonist's actions.

How racially and ethnically diverse is Another Day of Life?

Excellent

The film disrupts Western-centric views by centering the Angolan Civil War. It uses animation to symbolically represent the diverse ethnic landscape and the complexities of the Angolan people.

How does Another Day of Life represent religion and culture?

Excellent

The narrative critiques Western intervention and colonial-era power struggles. It avoids traditional heroism, instead focusing on the systemic dysfunction and chaos of political collapse.

Does Another Day of Life include disability representation?

Minimal

There is no explicit evidence regarding the portrayal of physical or neurodivergent disabilities within the film.

Present on Screen

  • Centering a non-Western conflict through a sophisticated, non-Eurocentric lens.
  • Using animation to capture the symbolic and ethnic complexities of Angola.
  • Critiquing institutional stability and the chaos of colonial-era power struggles.

Limited or Absent

  • Limited gender diversity due to the focus on a single male journalist.
  • Lack of explicit representation for LGBTQ+ identities or character arcs.
  • No visible focus on physical or neurodivergent disability representation.

Official Synopsis

In 1975, Ryszard Kapuściński, a veteran Polish journalist, embarked on a seemingly suicidal road trip into the heart of the Angola's civil war. There, he witnessed once again the dirty reality of war and discovered a sense of helplessness previously unknown to him. Angola changed him forever: it was a reporter who left Poland, but it was a writer who returned…

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