
City of Ghosts
2017

Representation Score
Fair
2019
Not RatedDirector
Dan Gabriel
Runtime
86 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Mosul succeeds as a piece of non-Western centric storytelling, shifting the power and ability to act of the conflict to the local protagonists. By centering Iraqi voices, it avoids the typical Western savior narrative often found in war media. However, the film operates within the narrow constraints of its subject matter. The focus on military liberation results in a lack of representation for gender diversity and LGBTQ+ identities, as the narrative prioritizes combat and survival. Ultimately, the film is a powerful example of ethnic and cultural centering, even if it lacks breadth in other diversity categories.
Category Breakdown
The documentary focuses on a military liberation effort and does not include any LGBTQ+ characters. The narrative emphasizes geopolitical struggles and survival rather than exploring queer themes.
The film primarily depicts ability to act through male-dominated military structures and a female Iraqi journalist. It highlights traditional roles shaped by the demands of total warfare.
The film centers on an Iraqi journalist and local forces, disrupting Western-centric savior narratives by placing ability to act within the Middle Eastern community.
The film frames the struggle through the lens of local survival against extremist threats, avoiding simplified Western morality by focusing on the harsh realities faced by Iraqi citizens.
The film does not mention any characters with visible or invisible disabilities. The focus remains on the physical and psychological impact of urban warfare.
Present on Screen
Limited or Absent
Official Synopsis
An Iraqi journalist joins an army of uneasy allies and unforgettable characters in the epic battle to liberate the city of Mosul from the Islamic State.

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