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Alles auf Rot

Name: Alles auf Rot
Director: Lars Becker
Released: 2021
Duration: 90 min

Representation Score

1.4/10

Minimal

2021

Director

Lars Becker

Runtime

90 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Alles auf Rot functions as a conventional crime thriller that adheres to typical crime genre formulas. The narrative centers on a former authority figure navigating the gray area between legality and desperation, focusing on personal redemption rather than broader social critiques. While the film introduces ethnic diversity through a Syrian crime syndicate, these characters primarily serve as catalysts for a noir-style investigation. The representation lacks the depth needed to go beyond standard international crime archetypes. Overall, the film upholds traditional hierarchies, emphasizing male-driven conflict and conventional family dynamics. It provides a character-driven drama that stays within established cinematic boundaries.

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Category Breakdown

Does Alles auf Rot have LGBTQ+ representation?

Minimal

The film focuses on traditional family structures and does not include any LGBTQ+ characters or non-straight identities.

How does Alles auf Rot portray gender?

Limited

The story centers around male characters like Kessel and Diller, with Claire playing a supporting role as a source of emotional stability.

How racially and ethnically diverse is Alles auf Rot?

Fair

The film includes a Syrian crime boss and his family, adding ethnic diversity, though these characters mainly serve as antagonists or plot catalysts.

How does Alles auf Rot represent religion and culture?

Limited

The story emphasizes personal morality and redemption without critiquing broader societal or cultural issues.

Does Alles auf Rot include disability representation?

Minimal

The death of a daughter due to illness drives the emotional plot, but the illness is used as a tragic device rather than exploring disability with depth.

Present on Screen

Includes a Syrian crime boss and his family, adding ethnic diversity.
Features a female character, Claire, who serves as a source of emotional stability.

Limited or Absent

The narrative is heavily male-centric, relegating female characters to secondary roles.
Does not represent LGBTQ+ identities or non-straight perspectives.
Uses illness as a plot device without exploring disability with depth.
Relies on standard genre clichés without challenging systemic or cultural hierarchies.

Official Synopsis

Three years after his conviction for drug trafficking, Erich Kessel is about to be released from prison. It's a particularly trying time for this addiction-free former narcotics officer, whose seriously ill daughter has just died. With his wife, Claire, ready to give him a second chance after years of separation, and his former colleague and friend, Superintendent Mario Diller, having found him a job as a bartender, Kessel is determined to prove himself beyond reproach. But shortly before his release, the double murder of a young drug dealer and his fiancée, daughter of the powerful Syrian crime boss Walid Schukri, threatens to ruin his fine promises. The latter, who is serving a long sentence alongside Kessel, offers him a handsome sum to catch his daughter's killer. For the former commissioner, now broke, the temptation is great to accept this juicy contract, the ultimate investigation on the frontier of legality.

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