
Oh, That Woman of Mine!
1967

Representation Score
Minimal
1964
Director
Alekos Sakellarios
Runtime
91 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This 1964 comedy is a classic farce built on deception and class performance. The plot hinges on a protagonist adopting a false identity to secure financial aid, prioritizing individual survival over systemic critique. The film adheres to the traditional clichés of its era, focusing on domestic tension and social climbing. It serves as a period-specific social comedy that maintains established social hierarchies. Ultimately, the work lacks intentional efforts to challenge social norms or provide diverse representation, reflecting the homogeneous cultural context of mid-century Greek cinema.
Category Breakdown
The film does not include any characters with non-straight or non-cisgender identities. The story revolves around a traditional marriage and financial concerns.
Gender roles adhere to 1960s Mediterranean traditions. Eleni's role is centered on supporting her husband's deception and maintaining domestic stability, rather than having personal ability to act.
The story focuses on internal class distinctions within a localized Greek setting. It reflects the homogeneous social landscape of the time without exploring diverse ethnic backgrounds.
Themes center on economic necessity and maintaining family reputation. The narrative upholds conventional social hierarchies through comedic survival strategies.
There is no depiction of characters dealing with physical, neurodivergent, or mental health conditions within the story.
Present on Screen
Limited or Absent
Official Synopsis
Antonis Tsilivikis, a stingy construction contractor, neglects his home and wife Eleni and forces her to lie to her rich uncle in America, Peter, in order to continue to send a monthly financial aid. But when the uncle notices that he comes to Greece, and in order not to reveal the truth, Antonis disguises himself as a retired named Beizanis, who supposedly rents a room at their home...

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