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Woodlands Dark and Days Bewitched: A History of Folk Horror

Woodlands Dark and Days Bewitched: A History of Folk Horror

Representation Score

9.3/10

Excellent

2021

Director

Kier-La Janisse

Runtime

193 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Kier-La Janisse delivers a sophisticated scholarly examination that actively deconstructs traditional Western hierarchies. The documentary expands the folk horror conversation beyond its British origins to include global perspectives. The film excels in its treatment of gender and cultural spirituality, using the genre to critique patriarchal and organized religious structures. It effectively uses genre clichés to challenge oppressive social and religious institutions. While the theoretical framework touches on themes of alienation and the 'other,' the film lacks specific, direct representation of physical disability and intimate queer narratives. It remains primarily an intellectual, rather than a character-driven, exploration.

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Category Breakdown

Does Woodlands Dark and Days Bewitched: A History of Folk Horror have LGBTQ+ representation?

Good

The film explores how non-traditional identities have been historically coded within the folk horror genre. It offers space for queer interpretations of genre clichés but lacks direct depictions of intimacy.

How does Woodlands Dark and Days Bewitched: A History of Folk Horror portray gender?

Excellent

The documentary uses the witch archetype to challenge traditional gender hierarchies. It analyzes how the genre uses feminine roles to question patriarchal structures and undermine masculine authority.

How racially and ethnically diverse is Woodlands Dark and Days Bewitched: A History of Folk Horror?

Good

The analysis looks beyond Anglo-Saxon roots to examine global expressions of the genre. It highlights how diverse cultures use landscapes and folklore to convey unique identity-based stories.

How does Woodlands Dark and Days Bewitched: A History of Folk Horror represent religion and culture?

Excellent

The film focuses on paganism and non-Christian spiritualities. It frames the tension between organized religion and folk belief as a conflict between oppressive institutions and organic identities.

Does Woodlands Dark and Days Bewitched: A History of Folk Horror include disability representation?

Fair

The exploration of psychological alienation provides a basis for understanding neurodivergence. However, the film lacks explicit, dedicated segments addressing physical or sensory disabilities.

Present on Screen

  • Uses the witch archetype to challenge traditional gender hierarchies.
  • Examines global expressions of the genre beyond Anglo-Saxon roots.
  • Engages deeply with paganism and non-Christian spiritual identities.
  • Critiques oppressive social and religious institutions through genre clichés.

Limited or Absent

  • Lacks explicit segments focusing on physical or sensory disabilities.
  • Lacks direct depictions of intimacy or queer-coded character narratives.
  • Relies heavily on theoretical analysis rather than direct representation.

Official Synopsis

An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.

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