
The Lily of Belgium
1915

Representation Score
Minimal
1917
Director
Segundo de Chomón, Giovanni Pastrone
Runtime
42 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This 1917 silent film is a product of its era, prioritizing technical spectacle and patriotic pageantry over social diversity. The narrative structure is built around traditional war motifs and nationalist sentiments, which naturally limits the scope of representation. The film reinforces early 20th-century social hierarchies, focusing on established masculine archetypes and European demographic norms, offering little room for storytelling that reflects multiple aspects of identity or challenging contemporary norms.
Category Breakdown
The film does not include any representation of LGBTQ+ identities or same-sex relationships. It focuses on fantasy and war themes that reinforce the assumption that everyone is straight and cisgender.
The story emphasizes traditional masculine roles of heroism and combat. Female characters are present but the focus on toy soldiers reinforces traditional gender roles.
The film reflects the homogeneous demographics of early 20th-century Europe. There is no indication of diverse racial casting or non-European representation.
The film aligns with Western nationalist sentiments and patriotic duty. It prioritizes state-centric ideals common during the First World War era rather than exploring diverse cultural perspectives.
There is no documented evidence regarding the portrayal of physical or neurodivergent disabilities. The available records do not address these representations.
Present on Screen
Limited or Absent
Official Synopsis
Helmed by Giovanni Pastrone, with Segundo de Chomón ably handling the stop-motion animation segment, The War and the Dream of Momi is equal parts patriotic pageantry and eye-popping puppetry.

1915

1928
1894

1897

1910

1922

1936

1943
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