
Ruben Blades Is Not My Name
2018
No Poster Available
2005
UNRATEDDirector
Myriam Fuentes Linero
Runtime
24 minutes
Average Rating
No ratings yetSynopsis
Renowned Puerto Rican troubadours come together to revive the folk tradition of the Round Table and to celebrate the 400th anniversary of Don Quixote. While they improvise décimas, other troubadours recount the history of this Hispanic traditional poetic form and comment on the exacting art of the troubadour who must improvise ten-verse-eight-syllable stanzas with exact rhyme.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The documentary focuses on traditional folk music and poetic structures. It does not feature specific LGBTQ+ character arcs or romantic narratives.
Gender Representation
The film showcases the intellectual mastery of troubadours. However, it lacks evidence of female-led improvisational dominance or gender-subverting roles.
Racial & Ethnic Diversity
This work centers Puerto Rican identity and Hispanic poetic traditions. It prioritizes non-Anglo-Saxon heritage through the preservation of indigenous and colonial-hybrid folk forms.
Religious & Cultural Diversity
The film promotes a non-Western view of art by focusing on communal, oral traditions. It repositions high art within a Caribbean framework.
Disability Representation
There is no visible evidence regarding the portrayal of disabilities within the documentary's focus on the troubadour circle.
Strengths
Areas for Improvement
AI Analysis
La décima borinqueña serves as a vital cultural archive, centering Puerto Rican agency and the complex art of improvisational poetry. By focusing on the décima, the film validates Hispanic oral traditions and challenges Western pop-culture hegemony. The documentary excels in ethnic and linguistic preservation, allowing practitioners to act as the primary narrators of their own history. It successfully deconstructs the idea of high art by viewing it through a Caribbean lens. However, the film's ethnographic nature means it lacks the narrative complexity to address gender or LGBTQ+ representation. It remains a specialized study of folk tradition rather than a character-driven drama.

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