
Everyone Stares: The Police Inside Out
2007

Representation Score
Limited
2012
NRDirector
Andy Grieve, Lauren Lazin
Runtime
83 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This documentary serves as an intimate biographical study of The Police, viewed through Andy Summers' personal archives. It excels at reconstructing a specific musical era through rare footage and photography, offering a deep dive into the band's rise and dissolution. However, the film operates within a historically homogeneous context. The narrative is tightly focused on the three male protagonists, resulting in a lack of diverse perspectives regarding gender, race, and identity. Ultimately, the work prioritizes the professional evolution and legacy of a specific rock trio over broader social or characters who reflect more than one aspect of diversity.
Category Breakdown
The film focuses on the professional and interpersonal dynamics of the band members. It does not center on LGBTQ+ identities or non-traditional gender expressions.
The narrative centers on a male-dominated musical environment. It explores power dynamics and creative tension among the three male protagonists without highlighting women's ability to drive the story.
The documentary depicts a predominantly white, Anglo-centric musical landscape. The core narrative remains centered on the specific experiences of the band members without delving into multi-layered racial dynamics.
The film provides a nuanced look at celebrity culture and the pressures of fame. It offers a subjective, non-idealized view of the music industry's complexities.
There is no significant depiction of visible or invisible disabilities within the documentary's primary narrative arc.
Present on Screen
Limited or Absent
Official Synopsis
Based on the acclaimed memoir by renowned guitarist Andy Summers, Can’t Stand Losing You: Surviving The Police follows Summers’ journey from his early days in the psychedelic ‘60s music scene, when he played with The Animals, to chance encounters with drummer Stewart Copeland and bassist Sting, which led to the formation of a new wave trio, The Police. The band’s phenomenal rise and its highly publicized dissolution at the height of their fame in the early ’80s captured by Summers’ camera. Utilizing rare archival footage, Summers’ photos, and insights from the guitarist’s side of the stage, Can’t Stand Losing You brings together past and present as the band members prepare to reunite for the first time in two decades later for a global reunion tour in 2007.

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