The film lacks visible LGBTQ+ characters or narratives. The plot focuses on a traditional supernatural confrontation without addressing non-cisnormative identities or same-sex intimacy.

The story features female-driven agency through two vengeful spirits claiming to be Manjulika. However, it remains unclear if these spirits challenge gender hierarchies or if the male protagonist dominates.

Set in West Bengal, the film utilizes regional folklore and specific cultural geography. This localized framework avoids a Western-centric lens, though the complexity of ethnic agency is unverified.

The narrative leans into established regional myths and haunted mansion tropes. It operates within traditional supernatural storytelling norms rather than deconstructing or critiquing cultural institutions.

There is no evidence of characters with visible or invisible disabilities. The narrative focus remains strictly on the spiritual and supernatural realms.