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Everything Went Fine

Everything Went Fine

2021

G

Director

François Ozon

Runtime

113 minutes

Average Rating

No ratings yet

Synopsis

When her elderly father has a stroke, Emmanuelle rushes to his bedside. Sick and half-paralysed in his hospital bed, he asks Emmanuelle to help him end his life.

Where to Watch

Diversity & Representation

Overall Score

5.5/10

Fair


Category Breakdown

LGBTQ+ Representation

Fair

Gender Representation

Good

Racial & Ethnic Diversity

Limited

Religious & Cultural Diversity

Excellent

Disability Representation

Good

Strengths

  • Strong intellectual subversion of traditional moral and religious hierarchies.
  • Effective centering of female agency and emotional labor in a crisis.
  • Nuanced portrayal of disability through the lens of individual autonomy.

Areas for Improvement

  • Significant lack of racial and ethnic intersectionality within the cast.
  • Limited LGBTQ+ visibility, as queer characters remain on the social periphery.
  • Highly homogeneous focus on a white, middle-class European family.

AI Analysis

François Ozon’s film is a sophisticated study of domestic fragmentation that prioritizes progressive philosophical inquiry over broad demographic representation. It succeeds in intellectual subversion, challenging the sanctity of the traditional family through a complex, relativistic approach to ethics. While the film lacks racial and ethnic diversity, it compensates by dismantling traditional moral hierarchies. The narrative architecture exposes the systemic deceptions required to maintain family structures, moving away from conventional social frameworks. Ultimately, the work trades wide-ranging social inclusivity for deep, thematic exploration of autonomy and the breakdown of institutional norms.

How are these scores produced? →

Featured in

  • Best Religious & Cultural Representation in Film

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