The film offers no evidence of LGBTQ+ characters or non-cisnormative identities. The narrative focus remains strictly on the interaction between the living and the supernatural.

Plot agency is distributed between a spirit medium and students, though roles appear dictated by horror genre requirements. There is no clear evidence of subverting traditional gender hierarchies.

The film demonstrates high cultural specificity through its Taiwanese setting and folklore. It prioritizes regional identities, providing a natural departure from Western-centric cinematic norms.

The story engages deeply with non-Western spiritual frameworks and local mythology. It centers on ritualistic intervention and traditional spiritual authority rather than Western rationalism.

There is no mention of characters possessing visible or invisible disabilities. No assessment can be made regarding neurodivergent agency or disability as a plot device.