Midnight Melodies
1936
No Poster Available
Representation Score
Limited
1936
ApprovedDirector
Milton Schwarzwald
Runtime
18 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Flippen's Frolics serves as a historical record of the 1930s vaudeville and cabaret scene. It emphasizes traditional performance acts like singing trios and stepping routines, aligning with the era's mainstream entertainment structures. The film's structure revolves around these conventional acts, lacking the complexity needed to challenge traditional norms. It focuses on showcasing period-specific talents rather than promoting diverse representation.
Category Breakdown
The film does not depict any non-binary gender identities or same-sex relationships. It follows the assumption that everyone is straight and cisgender, which was common in 1930s vaudeville.
Female performers appear through traditional song-and-dance routines. These roles support the gender norms of the time rather than challenging them.
The acts featured do not show any mix of races. The presentation appears mostly uniform, reflecting the casting norms of the era.
The film highlights mid-century American variety entertainment within New York City cabaret settings. It upholds the social and cultural norms of the 1930s without questioning them.
There is no evidence of performers or characters with visible or invisible disabilities in this short film.
Present on Screen
Limited or Absent
Official Synopsis
In a New York City cabaret setting, Jay. C. Flippen (using his Colonel Flippen character, as J. C. Flippen) emcees and introduces various stage, vaudeville and radio acts and performers, including Rose Marie), when still billed as Baby Rose Marie, who does a couple of song-and-dance numbers.. A singing trio called The Manhattanites sings a song and Bill Powers and His Steppers do some stepping. Flippen and Lew Seiler pair up to do a vaudeville routine. And all done in exactly 18 minutes.
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