The film lacks LGBTQ+ characters or explorations of non-cisnormative identities. Social dynamics focus strictly on tribal kinship and heteronormative survival.

Female warriors like Jeanne provide a moderate level of representation. Her martial proficiency and agency help disrupt the typical damsel in distress trope.

A diverse tribal cast populates the post-apocalyptic setting. This avoids a homogeneous social structure and moves beyond simple civilized versus savage binaries.

The narrative explores the collapse of Western institutions like organized religion and capitalism. It replaces these with a framework of tribalism and moral relativism.

There is no significant portrayal of neurodivergent or physically disabled characters with agency. The focus remains heavily on physical prowess and martial capability.