
Proxy
2014

2000
Director
Gabriele Salvatores
Runtime
96 minutes
Average Rating
No ratings yetSynopsis
Antonio is a man born with unusually large incisors; his freakishly huge teeth made him an outcast as a child and as man he has become obsessive and controlling in his relationships with women. Convinced that his girlfriend cheated on him (with her dentist, ça va sans dire), Antonio insults her in a fit of anger and in the fight she breaks off one of his teeth. Antonio now must travel across the country, going from dentist to dentist in search of someone who can make a crown that will suit his extra-large smile.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks explicit LGBTQ+ narratives or non-cisnormative identities. Romantic tension is centered on heteronormative dynamics and the protagonist's volatile relationships with women.
Gender Representation
The narrative is heavily skewed toward a male-centric perspective. Women primarily function as catalysts for the protagonist's psychological crises or as recipients of his controlling behavior.
Racial & Ethnic Diversity
The cast and setting reflect a predominantly white, European demographic. The film does not engage with intersectional identities or diverse ethnic ensembles.
Religious & Cultural Diversity
The story focuses on the protagonist's internal struggle with identity and aesthetics. It does not explicitly deconstruct traditional institutions like religion or the family.
Disability Representation
The protagonist's macrodonia drives the plot, but the portrayal borders on the 'freakish' trope. His physical trait is used to fuel social alienation and obsession.
Strengths
Areas for Improvement
AI Analysis
Teeth is a specialized psychological drama that prioritizes individualistic struggle over collective representation. The narrative remains tethered to a traditional, singular protagonist model, focusing on a specific male experience of insecurity. While the film provides a window into the experience of being an outcast due to physical abnormality, it lacks intersectional depth. The reliance on a homogeneous cast and traditional power dynamics prevents a higher progressive score. Ultimately, the work functions as a study of personal neurosis rather than a disruption of conventional social hierarchies.

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