Fra' Tazio da Velletri
1973
No user ratings available yet
Representation score: 1.8 out of 10
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San Pasquale Baylonne, Protector of Women
Representation Score
3.1/10
Limited
1976
Director
Luigi Filippo D'Amico
Runtime
93 minutes
Average Rating
No ratings yetNew Showbiz Analysis
San Pasquale Baylonne, Protector of Women is a period-specific social comedy rooted in the traditions of 1970s Italian cinema. It uses satire to explore the tension between religious institutions and evolving social behaviors. However, the film lacks multi-layered complexity, offering little evidence of LGBTQ+ representation or racial diversity. It reflects a homogeneous Mediterranean perspective, prioritizing traditional comedic structures over diverse storytelling.
Category Breakdown
Does San Pasquale Baylonne, Protector of Women have LGBTQ+ representation?
The film does not include any LGBTQ+ identities or narratives, which was uncommon in mainstream 1970s Italian comedies.
How does San Pasquale Baylonne, Protector of Women portray gender?
The title suggests a focus on women, but it is unclear whether the film challenges or reinforces traditional gender roles.
How racially and ethnically diverse is San Pasquale Baylonne, Protector of Women?
The film likely features a homogeneous Mediterranean cast typical of mid-1970s Italian cinema, with no significant non-white representation.
How does San Pasquale Baylonne, Protector of Women represent religion and culture?
The narrative uses Catholic tradition and religious iconography to critique institutions and secular-spiritual tensions.
Does San Pasquale Baylonne, Protector of Women include disability representation?
There is no information about the depiction of physical or neurodivergent characters.
Present on Screen
- Uses Catholic tradition and religious iconography through satire.
- Explores the tension between spiritual dogma and secular social behaviors.
Limited or Absent
- Lacks representation of non-straight identities.
- Features a homogeneous cast with minimal racial diversity.
- Relies on traditional gender roles rather than diverse character development.
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