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Wrong Is Right

Name: Wrong Is Right
Director: Richard Brooks
Released: 1982
Duration: 117 min

Representation Score

4.3/10

Fair

1982

Director

Richard Brooks

Runtime

117 minutes

Average Rating

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New Showbiz Analysis

Wrong Is Right is a traditionally structured film that prioritizes ideological disruption over diverse representation. While it lacks meaningful representation for LGBTQ+, racial, or disabled communities, it excels in its cynical deconstruction of Western power structures. The film's strength lies in its aggressive postmodern critique of media and government. It challenges the integrity of democratic institutions by portraying them as opaque and manipulative. However, the heavy reliance on a male-dominated professional sphere and a homogeneous cast limits its demographic breadth. The narrative focuses on geopolitical stakes rather than diverse human experiences.

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Category Breakdown

Does Wrong Is Right have LGBTQ+ representation?

Minimal

The film adheres to conventional assumptions that everyone is straight or cisgender. There are no LGBTQ+ characters or explorations of queer relationships.

How does Wrong Is Right portray gender?

Limited

The story revolves around male-driven pursuits within news and government agencies. Female characters are mostly subjects of media spectacle rather than active participants.

How racially and ethnically diverse is Wrong Is Right?

Limited

The character arcs predominantly feature a homogeneous demographic typical of the 1980s. The film lacks non-white protagonists with significant roles or blended racial backgrounds.

How does Wrong Is Right represent religion and culture?

Excellent

The film provides a nuanced critique of media capitalism and Western institutional stability. It portrays the news cycle as a corrupting force that prioritizes spectacle over truth.

Does Wrong Is Right include disability representation?

Minimal

There are no characters with visible or invisible disabilities. The film does not use disability as a central narrative theme.

Present on Screen

Provides a sophisticated critique of media capitalism and the corruption of the news cycle.
Effectively deconstructs Western institutional stability and the erosion of objective truth.

Limited or Absent

Lacks meaningful representation of LGBTQ+, racial, and disabled communities.
Relies on a heavily male-dominated professional landscape with limited women's ability to drive the story.

Official Synopsis

Political double-talk, dirty tricks, hidden microphones, spy satellites, bugging the Oval Office and a nuclear bomb for sale are all ingredients in this swift, funny and frightening look at the possibilities in today's political arenas. Sean Connery stars as TV Newsman Patrick Hale on an international chase to track two suitcase sized nuclear weapons and to uncover the twisting maze of apparent involvement of US Government agencies.

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