
Gobeklitepe: The World's First Temple
2010

Representation Score
Fair
2013
Director
Ana Vaz
Runtime
29 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Ana Vaz’s documentary succeeds by deconstructing traditional national histories through a speculative, geological lens. It moves away from Eurocentric views of progress by centering the narrative on the Brazilian west and its mythic landscapes. The film's strength lies in its ability to challenge institutional hierarchies. By treating the construction of Brasília as a site of prophecy and myth rather than just state-building, it creates space for a more pluralistic understanding of history. However, the film remains neutral regarding LGBTQ+ and disability representation. While its conceptual framework is progressive, it lacks specific, visible markers for these identities within the available narrative.
Category Breakdown
The film does not include explicit representations of LGBTQ+ identities or same-sex relationships. While the focus on myth and prophecy could allow for non-traditional themes, there are no clear LGBTQ narratives present.
The film disrupts traditional patriarchal narratives by reimagining the construction of Brasília. This speculative approach offers a fresh perspective that deviates from conventional, linear progress stories often centered around male figures.
By focusing on the Brazilian savannah and local geological history, the film avoids Eurocentric monumentalism. It emphasizes non-Western perspectives through its exploration of indigenous and adjacent landscapes and local myths.
The film critiques Western-style urbanism by presenting Brasília through the lens of ruins and myth. It favors personal, non-institutional truths over state-sanctioned historical narratives.
There is no mention of characters or subjects with visible or invisible disabilities. The current information does not provide a basis for assessing disability representation.
Present on Screen
Limited or Absent
Official Synopsis
A voyage into the far west of Brazil leads us to a monumental structure - petrified at the centre of the savannah. Inspired by the epic construction of the city of Brasília, the film uses this history to imagine it otherwise. "I look at Brasília the way I look at Rome : Brasília began with a final simplification of ruins". Through the geological traces that lead us to this fictive monument, the film unearths a history of exploration, prophecy and myth.

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