
Le Caire, un enterrement
1897

Representation Score
Minimal
1897
Director
Alexandre Promio
Runtime
1 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This 1897 documentary primarily serves as a historical record of a military parade in Cairo. As a primitive, non-narrative recording, it lacks the character depth or intentionality needed for modern storytelling that reflects multiple aspects of identity. While it offers significant visibility to non-European subjects, the perspective remains external, focusing on institutional order and patriarchal structures. The film does not engage with progressive values or represent underrepresented identities.
Category Breakdown
The film does not include any LGBTQ+ representation or character development.
The film emphasizes a traditional masculine hierarchy, with no visible presence of women's ability to drive the story or subversion of gender roles.
The footage features a non-Western majority of Egyptian and Ottoman-era participants, but the subjects are viewed as a spectacle rather than self-determined individuals.
The film depicts formal state institutions and traditional displays of national power, reinforcing existing hierarchies without critiquing colonial or Western power dynamics.
There are no visible depictions of neurodivergence or physical disabilities in the synchronized movement of the artillery unit.
Present on Screen
Limited or Absent
Official Synopsis
An artillery parade in Cairo near Cairo Citadel filmed by Alexandre Promio for the Lumière Brothers. Original title was "Défilé de l’artillerie turque"

1897

1903

1897

1896

1896

1897

1896

1896
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.