The film focuses on heterosexual romantic tension between Humphrey Van Wey and Maud Brewster. There is no evidence of non-cisnormative identities or same-sex intimacy.

Male figures dominate the central power dynamics and leadership roles. While Maud Brewster shows some agency, the narrative follows traditional maritime gender hierarchies.

The cast appears largely homogeneous, reflecting the maritime demographics of the era. There is no evidence of race-bent casting or intentional crew diversification.

The story challenges Western moral certainties by pitting social decorum against social Darwinism. It uses the ship to critique established social hierarchies and institutional morality.

Wolf Larsen’s physical limitations are central to his identity and agency. While leaning toward the struggle trope, the portrayal avoids being purely reductive or mocking.