
¡Cómo hay gente sinvergüenza!
1972

Representation Score
Limited
1991
Director
Álvaro Sáenz de Heredia
Runtime
82 minutes
Average Rating
No ratings yetNew Showbiz Analysis
El robobo de la jojoya is a conventional 1991 Spanish comedy that prioritizes genre clichés over social subversion. The plot follows two brothers attempting to steal an Egyptian artifact, favoring traditional heist mechanics over complex character studies. The film's structure relies on established archetypes, resulting in a lack of depth in representing multiple aspects of identity. While female performers are present in the cast, the central driving force of the story remains male-centric. Ultimately, the production functions as a period-specific commercial comedy. It does not attempt to disrupt social hierarchies or provide meaningful representation for underrepresented identities.
Category Breakdown
The film does not include any characters or stories related to LGBTQ+ identities or non-cisgender identities. It follows traditional heist plot structures.
The cast includes several prominent actresses, but the story revolves around a brother-sibling relationship, suggesting a narrative driven primarily by male characters.
The film depicts a homogeneous Mediterranean population typical of 1990s European comedies. An Egyptian artifact is used as a plot device without exploring racial identity.
The narrative focuses on a criminal enterprise and its legal consequences, adhering to standard comedy-heist genre conventions. It does not critique social or Western institutions.
The film does not feature any characters with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Two brothers plan to steal the precious jewel of Nefertiti's eye in a famous exhibition hall, but they are not the only ones who want it. There is a scuffle in which a policeman dies and one of the robbers falls on the dead man.

1972

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