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Entire Days in the Trees

Entire Days in the Trees

Representation Score

6.7/10

Good

1977

Director

Marguerite Duras

Runtime

95 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Marguerite Duras delivers a sophisticated deconstruction of colonial and gendered power dynamics. The film excels by using interracial intimacy and female autonomy to challenge systemic structures and traditional Western hierarchies. While the film is progressive in its treatment of gender and race, it lacks specific LGBTQ+ representation. Ultimately, the work functions as a powerful anti-colonialist critique, replacing nationalistic ideals with a fragmented, subjective exploration of memory and desire.

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Category Breakdown

Does Entire Days in the Trees have LGBTQ+ representation?

Fair

The film lacks explicit LGBTQ+ characters or identities. However, it explores passionate relationships that challenge social norms, while remaining centered on a heterosexual romantic framework.

How does Entire Days in the Trees portray gender?

Excellent

The film challenges traditional hierarchies by centering a female protagonist who play a significant role in driving the story. She actively shapes her own desires rather than being a passive object of the colonial gaze.

How racially and ethnically diverse is Entire Days in the Trees?

Excellent

An interracial relationship between a French woman and a Vietnamese man serves as a central mechanism. This connection disrupts racial homogeneity and critiques the hierarchies of the colonial project.

How does Entire Days in the Trees represent religion and culture?

Excellent

The narrative critiques Western colonial institutions by portraying them as structures in a state of breakdown. It prioritizes personal liberation and subjective experience over traditional Western morality.

Does Entire Days in the Trees include disability representation?

Minimal

There are no prominent depictions of physical or neurodivergent disabilities that impact the character arcs or plot progression.

Present on Screen

  • Strong subversion of gender hierarchies through a highly autonomous female protagonist.
  • Effective use of interracial romance to critique colonial racial structures.
  • Sophisticated anti-colonialist framework that challenges Western moral authority.

Limited or Absent

  • Lack of explicit representation for LGBTQ+ identities or non-straight-centered characters.

Official Synopsis

An old lady returns from Africa where she made a fortune to find her son in Paris, whom she has not seen in five years, with the intention of bringing him back with her. But this project fails.

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