
The Great Flood
2012

Representation Score
Limited
2006
Director
Bill Morrison
Runtime
31 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Highwater Trilogy serves as a formalist meditation on environmental volatility rather than a character-driven drama. By relying on archival footage of natural disasters, it lacks the human ability to act and interpersonal dynamics necessary for traditional representation metrics. While the film excels at deconstructing documentary clichés and challenging Western industrial narratives, its focus on a geological timescale precludes social commentary through characterization. It prioritizes a sensory, non-linear experience of systemic change over sociological storytelling.
Category Breakdown
The film does not include explicit representations of LGBTQ+ identities or romantic relationships. Since the focus is on natural phenomena such as icebergs and floods, there are no LGBTQ+ narrative elements.
The story centers around elemental forces rather than human gender hierarchies. There are no central characters to challenge or represent traditional gender roles.
The film's subjects are environmental landscapes rather than human characters. There is no indication of intentional casting or the centering of people of color to drive a social narrative.
The work explores themes of systemic instability and environmental fragility. It challenges anthropocentric views and the perceived permanence of human institutions through an avant-garde lens.
The film does not feature human subjects with visible or invisible disabilities. The thematic focus remains on geological and environmental changes.
Present on Screen
Limited or Absent
Official Synopsis
Divided into three sections, Bill Morrison's The Highwater Trilogy examines our relationship to the threat of natural disaster by combining archival footage of icebergs, hurricanes, and floods with a soundtrack by David Lang and Michael Gordon.

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