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The Last Will Be the Last

Name: The Last Will Be the Last
Director: Massimiliano Bruno
Released: 2015
Duration: 103 min

Representation Score

4.9/10

Fair

2015

Director

Massimiliano Bruno

Runtime

103 minutes

Average Rating

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New Showbiz Analysis

The film primarily functions as a socio-economic critique rather than a study of identity-based diversity. It finds its strength in challenging traditional gender roles, presenting a female protagonist who actively challenges corporate authority. However, the film lacks depth in representing multiple aspects of identity. The narrative remains rooted in traditional romantic structures and localized Italian settings, offering little representation for LGBTQ+ or diverse racial identities. Ultimately, the work succeeds in portraying a class-based struggle, but its narrow focus on domestic socio-economic issues limits its broader diversity impact.

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Category Breakdown

Does The Last Will Be the Last have LGBTQ+ representation?

Limited

The story centers on a heterosexual relationship between Luciana and Stefano. There is no evidence of non-binary gender identities or critiques of heterosexuality within the plot.

How does The Last Will Be the Last portray gender?

Good

Luciana serves as a actively leading protagonist who disrupts male-dominated corporate hierarchies. Her decisive actions drive the plot, moving her beyond the role of a submissive figure.

How racially and ethnically diverse is The Last Will Be the Last?

Limited

The film focuses on localized Italian socio-economic struggles. There is no indication of a diverse cast or the inclusion of non-Anglo-Saxon identities.

How does The Last Will Be the Last represent religion and culture?

Good

The narrative critiques capitalist institutions and the indifference of corporate structures. It frames the struggle for family stability against an oppressive economic system.

Does The Last Will Be the Last include disability representation?

Minimal

The provided material contains no information regarding the portrayal of physical, neurodivergent, or mental health disabilities.

Present on Screen

The film provides strong women's ability to drive the story by centering a woman who actively challenges corporate authority.
It offers a compelling critique of capitalist institutions and systemic economic failures.
The protagonist is portrayed as a proactive agent of change rather than a passive victim.

Limited or Absent

The narrative lacks representation for LGBTQ+ identities and non-binary gender relationships.
There is a notable absence of racial and ethnic diversity within the cast and setting.
The film does not address disability or neurodivergent perspectives.

Official Synopsis

Luciana is a factory worker married to the love of her life. She is living the simple and quiet life she’s always desired: she works and she is deeply in love with her husband Stefano, even if he doesn’t always have a job and they both need to struggle to keep on going. They are happy and always on each other’s side, but shortly after she finds out she’s pregnant, she gets fired and her world starts falling apart. After having tried to have a baby for years, the joy of impending motherhood lasts only a few months. Begging for help but with no one ready to listen to her, completely desperate and shattered, Luciana decides to kidnap the managing director of her former company, asking for the justice she deserves.

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