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The Last Will Be the Last

The Last Will Be the Last

2015

Director

Massimiliano Bruno

Runtime

103 minutes

Average Rating

No ratings yet

Synopsis

Luciana is a factory worker married to the love of her life. She is living the simple and quiet life she’s always desired: she works and she is deeply in love with her husband Stefano, even if he doesn’t always have a job and they both need to struggle to keep on going. They are happy and always on each other’s side, but shortly after she finds out she’s pregnant, she gets fired and her world starts falling apart. After having tried to have a baby for years, the joy of impending motherhood lasts only a few months. Begging for help but with no one ready to listen to her, completely desperate and shattered, Luciana decides to kidnap the managing director of her former company, asking for the justice she deserves.

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Diversity & Representation

Overall Score

5.4/10

Fair

Category Breakdown

LGBTQ+ Representation

Limited

The story centers on a heteronormative relationship between Luciana and Stefano. There is no evidence of non-cisnormative identities or critiques of heteronormativity within the plot.

Gender Representation

Good

Luciana serves as a high-agency protagonist who disrupts male-dominated corporate hierarchies. Her decisive actions drive the plot, moving her beyond the role of a submissive figure.

Racial & Ethnic Diversity

Limited

The film focuses on localized Italian socio-economic struggles. There is no indication of a diverse cast or the inclusion of non-Anglo-Saxon identities.

Religious & Cultural Diversity

Good

The narrative critiques capitalist institutions and the indifference of corporate structures. It frames the struggle for family stability against an oppressive economic system.

Disability Representation

Minimal

The provided material contains no information regarding the portrayal of physical, neurodivergent, or mental health disabilities.

Strengths

  • The film provides strong female agency by centering a woman who actively challenges corporate authority.
  • It offers a compelling critique of capitalist institutions and systemic economic failures.
  • The protagonist is portrayed as a proactive agent of change rather than a passive victim.

Areas for Improvement

  • The narrative lacks representation for LGBTQ+ identities and non-cisnormative relationships.
  • There is a notable absence of racial and ethnic diversity within the cast and setting.
  • The film does not address disability or neurodivergent perspectives.

AI Analysis

The film functions primarily as a socio-economic critique rather than a study of identity-based diversity. It finds its strength in subverting gendered agency, presenting a female protagonist who takes radical action against systemic neglect. However, the film lacks intersectional depth. The narrative remains rooted in traditional romantic structures and localized Italian settings, offering little representation for LGBTQ+ or diverse racial identities. Ultimately, the work succeeds in portraying a class-based struggle, but its narrow focus on domestic socio-economic issues limits its broader diversity impact.

How are these scores produced? →

Featured in

  • Best Religious & Cultural Representation in Film

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Diversity score: 5.6 out of 10

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