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Goodbye

Name: Goodbye
Director: Mohammad Rasoulof
Released: 2011
Duration: 105 min

Representation Score

6.4/10

Good

2011

Director

Mohammad Rasoulof

Runtime

105 minutes

Average Rating

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New Showbiz Analysis

Mohammad Rasoulof’s work stands as a powerful critique of systemic power, focusing on the conflict between individual ability to act and state-imposed frameworks. The film excels by challenging traditional hierarchies, especially through its emphasis on female autonomy and the complexities of navigating restrictive legal systems. While the film offers a non-Western perspective that disrupts the traditional cinematic gaze, it remains limited in its representation of specific identities. The lack of LGBTQ+ narratives and disability-focused storylines prevents a higher score despite its social depth. Ultimately, the film is a sophisticated piece of social realism. It succeeds in deconstructing authority and presenting a complex view of institutional power, making it a significant contribution to global cinema.

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Category Breakdown

Does Goodbye have LGBTQ+ representation?

Fair

The film does not include explicit LGBTQ+ characters or relationships that challenge the assumption that everyone is straight or cisgender. It focuses on personal desires versus societal expectations without using specific queer perspectives.

How does Goodbye portray gender?

Good

The story centers on the experiences of women and the limitations imposed by a regulated social structure. It offers a nuanced look at women's ability to drive the story and their roles as mothers.

How racially and ethnically diverse is Goodbye?

Good

The film presents a non-Western viewpoint through an Iranian cast and setting. It challenges Anglo-centric storytelling by showcasing Middle Eastern social realities without relying on stereotypes.

How does Goodbye represent religion and culture?

Excellent

The narrative explores the tension between personal dignity and oppressive state or religious institutions. It critiques traditional authority through the lens of survival and individual power.

Does Goodbye include disability representation?

Minimal

There are no prominent depictions of physical or neurodevelopmental disabilities that drive the narrative.

Present on Screen

Provides a nuanced look at women's ability to drive the story and navigate restrictive legal systems.
Offers a sophisticated critique of state and religious institutions through a non-Western lens.
Challenges Western-centric storytelling by presenting authentic Middle Eastern social realities.

Limited or Absent

Does not include explicit LGBTQ+ representation or non-straight-centered romantic arcs.
Lacks characters or narratives addressing physical or neurodevelopmental disabilities.

Official Synopsis

Story of a young lawyer in Tehran in search of a visa to leave the country, which is what Mohammad Rasoulof did during the winter of 2010/11.

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