
Goodbye
2011

Representation Score
Excellent
2009
Director
Mohammad Rasoulof
Runtime
92 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film stands out by providing a sophisticated, non-Western critique of systemic power and authority. It successfully challenges traditional gender roles by emphasizing the resilience and ability to act of a female protagonist. However, the lack of explicit representation of LGBTQ+ identities and specific disability storylines results in lower scores for these categories. Overall, the film's strength lies in its culturally authentic perspective and its use of allegory to challenge dominant political institutions.
Category Breakdown
The film adheres to traditional social structures without depicting any non-straight or non-binary identities or same-sex relationships.
A strong female character leads the story, challenging the stereotype of passive female victims by showcasing her psychological resilience.
The film offers a genuine, non-Western viewpoint by focusing on the Iranian experience, avoiding the common whitewashing found in many international films.
The story uses isolation to criticize centralized authority and systemic oppression, exploring how survival shapes ethics in a politically constrained environment.
Struggles are portrayed through extreme environments rather than specific disability stories. There is no intentional focus on visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Rahmat travels to a host of islands in a vast salt pan in order to collect the inhabitant's tears for an unknown purpose. He is joined on his mysterious journey by a young boy searching for his father. As their travel nears its end, a potent critique of Iran's political leadership emerges.

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