
Almost Human
1974

Representation Score
Limited
1995
Not RatedDirector
Mario Bava
Runtime
96 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Mario Bava’s *Rabid Dogs* is a bleak portrayal of societal collapse. It rejects conventional good-versus-evil narratives, presenting a world where authority figures are as predatory as criminals. The film lacks contemporary identity-based representation, particularly in LGBTQ+ and racial diversity. It adheres to the homogeneous casting standards of 1970s Italian crime cinema. However, the film excels in its cultural critique. By undermining the sanctity of the law, Bava offers a sophisticated critique of the social structures that fail to protect the vulnerable.
Category Breakdown
The film does not include any LGBTQ+ characters or narratives. It focuses solely on the harsh survival of hostages and criminals.
Female characters are often portrayed through socioeconomic hardship and sex work clichés. However, they challenge traditional gender roles by navigating dangerous, violent situations.
The cast is predominantly uniform, reflecting the homogeneity typical of 1970s European crime cinema. The film emphasizes class differences rather than racial diversity.
The film critically examines Western institutional stability, portraying the police as morally ambiguous and questioning the effectiveness and morality of state authority.
There is no depiction of physical or neurodivergent disabilities in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Following a bungled robbery, three violent criminals take a young woman, a middle-aged man, and a child hostage and force them to drive them outside Rome to help them make a clean getaway.

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