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Smokey and the Good Time Outlaws

Smokey and the Good Time Outlaws

Representation Score

1.3/10

Minimal

1978

PG

Director

Alexander Grasshoff

Runtime

90 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Smokey and the Good Time Outlaws is a traditional genre piece that adheres to the social and narrative conventions of the late 1970s. The story focuses on two men pursuing country music stardom in Nashville, keeping the spotlight on a male-centric ensemble. Since the film relies on established Western and comedy clichés, it lacks intentional characters who reflect more than one aspect of diversity. There is no meaningful presence of LGBTQ+ identities, racial diversity, or characters with disabilities, resulting in a very narrow social scope. While the film offers a sense of comedic rebellion through its 'outlaw' characters, it does not use this to deconstruct power dynamics or social hierarchies. It remains a standard, escapist genre film.

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Category Breakdown

Does Smokey and the Good Time Outlaws have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or non-cisgender identities. It follows a traditional framework that assumes everyone is straight and cisgender.

How does Smokey and the Good Time Outlaws portray gender?

Limited

The story revolves around a male ensemble that drives the plot through comedic antics. It lacks strong roles for women and does not challenge traditional gender hierarchies.

How racially and ethnically diverse is Smokey and the Good Time Outlaws?

Limited

The film seems to have a homogeneous cast with little racial or ethnic diversity. The setting and genre suggest a cast that reflects typical 1970s stereotypes.

How does Smokey and the Good Time Outlaws represent religion and culture?

Fair

The film uses the 'lovable rogue' cliché to make criminal activity seem comedic. This serves as lighthearted entertainment rather than a critical look at societal issues.

Does Smokey and the Good Time Outlaws include disability representation?

Minimal

The film does not feature any characters with visible or invisible disabilities. It does not address neurodivergence or physical disabilities in its character development.

Present on Screen

  • The 'lovable rogue' cliché provides a sense of comedic rebellion and moral relativism.

Limited or Absent

  • The film lacks strong roles for women and does not provide complex female characters.
  • There is a notable absence of racial, ethnic, and LGBTQ+ diversity.
  • The narrative fails to include characters with visible or invisible disabilities.

Official Synopsis

Two guys come to Nashville and try to make it on the country music scene. Their vision is to play at the Grand IL' Opry. Rejection after rejection pushes them to the verge of quitting and moving back to wherever they came from.

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