The film lacks LGBTQ+ characters or storylines. It focuses entirely on creature feature mechanics and urban survival, offering no engagement with queer identity or non-heteronormative dynamics.

Female characters participate in the investigation and survival, but they do not disrupt established gender hierarchies. The film relies on standard 1980s thriller archetypes rather than subverting traditional roles.

The film reflects a multicultural 1980s New York through a diverse urban cast. By centering an Aztec deity, the story de-centers Western mythological tropes in favor of a globalized threat.

The narrative uses an ancient non-Western deity to critique the stability of Western historical narratives. It portrays a breakdown of institutional efficacy, though it lacks explicit political sentiment.

There is no significant evidence regarding the portrayal of visible or invisible disabilities. Characters are defined by their roles in the crisis rather than through physical or neurodivergent lenses.