
Las Rojas
2021

Representation Score
Fair
2019
Director
Martín Desalvo
Runtime
99 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Martín Desalvo’s drama emphasizes historical realism and psychological tension over modern characters who reflect more than one aspect of diversity. The film serves as a period piece that adheres to the social hierarchies of the 1970s. The narrative structure relies heavily on masculine archetypes, with central conflicts driven by male competition. While the setting provides a nuanced look at political upheaval, character dynamics remain largely conventional. Ultimately, the film lacks the intention to disrupt traditional gender and identity clichés, focusing instead on the tension between individual psyches in a volatile environment.
Category Breakdown
The film does not include any LGBTQ+ characters or relationships that challenge traditional heterosexual norms. The interpersonal dynamics focus solely on traditional romantic and family relationships.
The story unfolds within a patriarchal framework emphasizing masculine competition. Although the female doctor demonstrates professional competence, male characters dominate the central conflict.
Casting reflects the demographic reality of rural Chile with a predominantly mestizo and white cast. This aligns with the 1970s setting rather than challenging social orders.
The story explores historical trauma and the breakdown of Chilean social stability during the 1973 political upheaval. It highlights the fragility of traditional agrarian peace.
There is no significant representation of characters with visible or invisible disabilities. The plot centers on the psychological tension experienced by able-bodied protagonists.
Present on Screen
Limited or Absent
Official Synopsis
In the missionary jungle, Ismael Guzmán, a seasoned park ranger, patrols the reserve daily in search of poachers. Orlando Venneck is a beloved settler in the area and, like his ancestors, he is a hunter. Sara Voguel, a committed rural doctor, is married to Guzmán and used to be Venneck’s fiancee. Both venerate the mountain in their own way, but a jaguar appears and this generates a confrontation between them. Behind the tourist postcard of the park hides a world besieged by passions, conflicts of interest and fights. The spiral of violence will become inevitable and blood will flow.

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